
Dr Steven Roberts
BA (Hons), MA, PhD
Expertise
I teach European and world cinemas and have published research on the topic of widescreen cinema. More broadly, I am interested in political/aesthetic factors of technology transfer across film history.
Current positions
Lecturer in European and World Cinema
School of Modern LanguagesResearch Administrator
School of Modern Languages
Contact
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Biography
I joined the University of Bristol as Lecturer in European and World Cinema in 2022. Previously, I taught film studies at the University of the West of England as an Associate Lecturer. I also have experience researching international archives and museum cataloging.
I grew up near Stoke-on-Trent in the UK, where I went to school and worked through critics' lists of classic films by renting home video in my spare time. Developing a serious interest in literary and then film analysis, I received a BA in English (2014) and MA in Film and Literature (2015) from the University of York thanks to means-tested scholarships. At York, I assisted research on the 'Mediating Cultural Encounters through European Screens' project, encouraging my transnational appreciation of moving images. I then won funding from the Arts and Humanities Research Council for my doctoral research on widescreen cinema in Britain and the USA, which began immediately in 2015 as a three-year project between the universities of Bristol and Exeter.
I succesfully applied for an extension to my AHRC doctoral funding for an immersive six-month placement at the Bill Douglas Cinema Museum in 2018-2019, outputs of which included the Pamela Davies Collection of British film photographs, a temporary exhibit, 'Widescreen South West', and conference on 'Working the Film Script: Hidden Production Histories'. Since 2018, I also co-host with Dr Dominic Lash the film criticism podcast, 'discursion', which examines classic, cult and contemporary films from around the world (available on Acast, Spotify etc.)
I am co-convenor of the British Cinema and Television Special Interest Group (British Association of Film, Television and Screen Studies). From 2024-2025, I was Project Administrator for UK Subtitling Audiences Network.
I qualified for FHEA status in 2024 and continue to develop my work thanks to the input of academic colleagues and my students.
Research interests
- Widescreen cinema
- History of film style
- Transnational cinema
- Archives and museums
- Immersive technologies
Projects and supervisions
Research projects
High Fidelity Widescreen Cinema: VistaVision Film Production and Style in Britain and the USA
Principal Investigator
Description
Funded by the SWW DTP (AHRC)Managing organisational unit
Department of Film and TelevisionDates
20/09/2015 to 01/10/2018
Publications
Recent publications
02/02/2024Review: The Rainbow’s Gravity: Colour, Materiality and British Modernity
Historical Journal of Film, Radio and Television
The Pamela Davies Collection: Continuity Supervision in British Widescreen and Colour Cinema
Alphaville: Journal of Film and Screen Media
Review: Brian R. Jacobson (ed.), In the Studio: Visual Creation and its Material Environments
Screen
Widescreen Pyrotechnics: Shot Composition and Staging in the Cold War Films of Joseph Losey and Sidney J. Furie
Sixties British Cinema Reconsidered
Widescreen Melodrama and the American Home
Viewfinder
Thesis
High Fidelity Widescreen Cinema
Supervisors
Award date
23/01/2020
Teaching
Contemporary European Cinema
Classics of European Cinema
World Cinemas: From National to Transnational
Other current and previous units:
Cinema and Revolution
Introduction to Visual Cultures
Independent Study (dissertation supervision)
Theories of Visual Cultures (Masters)