
Professor Simon Shaw-Miller
BA, PhD, Hon ARAM, FRSA, FHEA
Expertise
Current positions
Emeritus Professor
Department of History of Art (Historical Studies)
Contact
Press and media
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Research interests
Professor Shaw-Miller is Emeritus Chair of History of Art (the Chair having been established in 2000, with Stephen Bann as its first recipient). Before Bristol he was the Professor of History of Art & Music in the School of Arts, Birkbeck College, University of London.
He is an Honorary Associate of the Royal Academy of Music, a Fellow of the Royal Society of Arts, and a Fellow of the Higher Education Academy.
Professor Shaw-Miller’s research interests are the history of art and music in the modern period (1800-1960s). He is concerned with questions of interdisciplinary methodology, modernism, the concepts of visual music, sound art, musical iconography, synaesthesia, musical ekphrasis, and the aesthetics of the Gesamtkunstwerk.
Research
Professor Shaw-Miller’s areas of research are broadly within the area of modernism (from Vienna to New York), with a specialist methodological concern with interrelationships in audio and visual culture up to the present; he is specifically interested in the concepts of abstraction, art and the senses, sound and audio art and culture, interdisciplinarity and art and music history and theory from the early 19th century to the late 20th century.
Email: s.shaw-miller@bristol.ac.uk
Projects and supervisions
Research projects
Bone Conducting Lollipop: An exploration of flavour, sound and experience
Principal Investigator
Description
The project aims to finalising the design of a Bone Conducting Lollipop, which will be used with children and young people, including, but not limited to, those experiencing hearing loss.…Managing organisational unit
Department of History of Art (Historical Studies)Dates
01/02/2017 to 31/07/2017
Naked Objects: Intelligent Showcases REACT Alumni Scheme
Principal Investigator
Managing organisational unit
School of HumanitiesDates
01/03/2015 to 01/01/2016
Naked Objects: Intelligent Showcases
Principal Investigator
Description
This is a collaborative project developed by the Theatre Collection with projects partners Aerian and involving academics Simon Shaw-Miller (History of Art), Penny Bickle (Archaeology) and Mike Fraser and his…Managing organisational unit
Department of History of Art (Historical Studies)Dates
01/08/2014 to 05/12/2014
Naked Objects - REACT Prototype Fund
Principal Investigator
Managing organisational unit
School of HumanitiesDates
01/07/2014 to 01/03/2015
The Viennese Café and fin-de-siècle Vienna
Role
Co-Principal Investigator
Description
This was a multi-disciplinary project that explored the social and artistic interactions that took place in and around the fin-de-siècle Viennese coffeehouse. It had a three-year timetable, and culminated in…Managing organisational unit
Department of History of Art (Historical Studies)Dates
01/10/2006 to 31/10/2009
Thesis supervisions
Disorders at the Borders
Supervisors
slowthai and Dave
Supervisors
Publications
Selected publications
07/05/2022Improvision: Orphic Art in the Age of Jazz
Improvision: Orphic Art in the Age of Jazz
Eye hEar The Visual in Music
Eye hEar The Visual in Music
Visible Deeds of Music
Visible Deeds of Music
Recent publications
08/11/2023Synaesthesia and Inter-Arts Aesthetics
Improvision: Orphic Art in the Age of Jazz
Improvision: Orphic Art in the Age of Jazz
Where Breathing Starts: The Vortex Paintings of Fabienne Verdier
Vortex: Fabienne Verdier
Disciplining the Senses: Beethoven as Synaesthetic Paradigm
Senses and Sensation: Critical and Primary Sources
Imaging Beethoven
Art and Music in the 18th Century