
Dr Grace Brockington
B.A.(Pembroke), M.A.(Courtauld), D.Phil.(Oxon.)
Current positions
Associate Professor in the History of Art
Department of History of Art (Historical Studies)
Contact
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Research interests
Contact details
Room 1.29, 9 Woodland Road, +44 (0)117 331 1221, g.brockington@bristol.ac.uk
Research interests
I am a specialist in modern British art, with particular interests in the connections between art and theatre, internationalism, and literature. My work has been supported by a Philip Leverhulme Prize, an AHRC Early Career Fellowship, and a Visiting Scholarship at the Yale Center for British Art.
My research career began with an investigation into the peace movement in the early twentieth century, which I published as Above the Battlefield: Modernism and the Peace Movement in Britain, 1900-1918 (Yale University Press, 2010). This has led to projects about war and puppetry, Vanessa Bell’s experimental work, book illustration, and universal visual language. Larger, collaborative studies have developed through my research into art and internationalism. Together with Sarah Victoria Turner, I convened the AHRC-funded research network ICE (https://iceresearchnetwork.wordpress.com). Recently, I have worked with Impermanence Dance Theatre and the Paul Mellon Centre to create a film and exhibition centred on experimental theatre in London in the First World War (https://www.britishartstudies.ac.uk/issues/issue-index/issue-11). I was guest curator for the exhibition Gaudier-Brzeska: Disputing the Earth (RWA, Bristol, 2019).
Research supervision
I welcome proposals from students working on modern British art (from the C19th to the present), and art in relation to theatre, literature, conflict, and internationalism. Theses which I have supervised include the still-life in modern poetry, Edwardian art writing, Art History and subjectivity, the history of display at the Imperial War Museum, and theatricality in the art of William Nicholson. Several of these projects were interdisciplinary in their approach, and I am open to suggestions for interdisciplinary supervision. Please do not hesitate to get in touch me with if you have an idea for a project which you would like to discuss further.
Teaching
I teach on the modern survey course for undergraduates and contribute to teaching on curation, Bristol landmarks, and the histories and theories of art. I offer options on art and war, art in Britain, and art and internationalism. At MA level, I teach a unit on text and image.
Projects and supervisions
Research projects
Art Writing Writing Art
Principal Investigator
Description
Leader of Arts Faculty research cluster entitled 'Art Writing Writing Art'. AWWA founded in 2012 at the University of Bristol, is a discussion and research group set up to provide…Managing organisational unit
Department of History of Art (Historical Studies)Dates
01/10/2012
ICE ('Internationalism and Cultural Exchange, 1870-1920')
Principal Investigator
Managing organisational unit
School of HumanitiesDates
18/06/2012 to 18/09/2014
Vanessa Bell's 'Experimental Works', 1912-1917
Principal Investigator
Managing organisational unit
School of HumanitiesDates
01/05/2011 to 01/02/2012
Thesis supervisions
Ismael de la Serna (1895-1968)
Supervisors
Unbroken Heroes
Supervisors
Art Writing and Subjectivity
Supervisors
Women On the Edge
Supervisors
Publications
Recent publications
11/05/2021Universal Visual Languages in the Age of Telegraphy
Coding and Representation from the Nineteenth Century to the Present
Chez Boulestin
#DECADEONLINE
Restaging Little Theater Online
Modernism/Modernity
Of Modernism
Of Modernism
Imagined Cosmopolis
Imagined Cosmopolis