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PARIP 2005

International Conference | 29 June - 03 July 2005

Brookes: Mike | UK

'Who are you looking at?'

Mike Pearson and Mike Brookes

Since 2001 Pearson/Brookes has created a series of multi-site performance works, including Carrying Lyn (Cardiff, 2001), Polis (Cardiff, 2001), Metropolitan Motions (Frankfurt, 2002) and There's someone in the house (Exeter, 2004). 

Within these works actions are staged at dispersed locations in the urban environment - often within the public domain - and recorded on low grade technology: tapes and discs are then returned immediately to a venue now rendered porous. Here the record of what happened ‘out there, ‘just now’ is assembled, ordered dramaturgically and replayed.

The works pose a number of questions. As each performance is generated in a number of places, often simultaneously, is co-presence any longer a useful definition of performance? Where is this performance actually happening? And is the feedback loop of action/response/ readjustment any longer an essential feature of performance? How many audiences are there here?

The document has repositioned itself within the performance rather than being a ‘post-event’ phenomenon. Is the audience already watching a document? And as the work remains resolutely analogue - transporting physical objects that then have to be rewound/lined up - time itself is troubled. When did this happen?

Mike Pearson and Mike Brookes present an overview of the series and the issues it raises - not least of distinctions between professional practice and scholarly practice in the field of ‘practice-as-research’.

They introduce developing DVD-ROM work, created by Mike Brookes, presenting strategies through which he is attempting to appropriately reconstitute the material of these events – within the form and limits of this alternative media - whilst embodying the original propositions of that material. The intention being to allow a direct encounter with the work - its structure, accumulation and consequences - rather than to reproduce any particular view of the physical and ambient constructs on which that encounter originally stood.

Contact:

Mike Pearson

mip@aber.ac.uk + pearsonm2@aol.com

Mike Brookes

www.mikebrookes.com

mail@mikebrookes.com

 

 

 

 

 

 

 

 




 

 

 

 

 

 

 

 

 

 

    
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